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All posts for the day January 20th, 2019

First, let’s get the money thing out of the way. Today we shall have an Amazon Link for the album for the Despicable Me soundtrack.

6:00 Now it’s brighter again. I don’t even know anymore. Pharell is dancing up the bridge with someone who, at first, looks like a Mountie but who turns out to be a famous choreographer named Fatima Robinson.*

I’m really glad that Pharrell and Robinson were dancing around actually on the bridge like this, because unless someone makes a replica somewhere someday I’ll never be able to see it up close like this again.

We continue walking around on the bridge until 6:16.

At 6:16 we go somewhere new and it looks really familiar, like someplace they’ve filmed a movie, maybe? Or someplace that I’ve pictured the action of a book taking?

Wait. We’re still by the 6th Street Bridge. I couldn’t even begin to tell you where we are in relation to the bridge; it’s too dark and the area has changed too much. Maybe by 6:20 we’ll have some clue.

Our dancer passes something that looks like maybe a small apartment building. It’s well lit and might still be there, but I’ve still got nothing.

Eventually I’m able to identify a mural that the dancers pass as being under the 6th Street Bridge, so that solves that much. Then at 6:34, the dancers dance across some train tracks. Those tracks are still there in October of 2017, putting the dancers on Mission Street. The 6:32 dancers pass a building that’s still there at 6:35.

The 6:36 dancer goes up Willow Street E. This is such a relief. At Anderson Street, we make a left and go down a block or so. Then we turn around and come back down Anderson to Willow and back to Mission. Then we make a left onto something that Google says is 6th Street. I. Don’t know. And then we come out on Anderson again. We make a right and go back under the bridge and it sure looks to me like we end at Anderson and Jesse.

6:56 It’s dark. Really dark. The dancers are being followed by a car with its headlights on, presumably so that we can see them with the backlight. There’s a plant of some sort behind a fence over there on our right and a building on our left. We emerge into the light and make a right-hand turn. Still no clue where we are. It’s kind of postapocalyptic looking. Oh, look. Civilization. There’s a street and traffic signals and an illuminated sign of some sort. As the dancers move around, there’s a building with blue words on the side. We go back into the dark alley and the 6 pm hour ends with our dancers backlit like before.

*Who choreographed the video for his song “Come Get it Bae.”