24 Hours of Happy: 6:00 pm to 7:00 pm

First, let’s get the money thing out of the way. Today we shall have an Amazon Link for the album for the Despicable Me soundtrack.

6:00 Now it’s brighter again. I don’t even know anymore. Pharell is dancing up the bridge with someone who, at first, looks like a Mountie but who turns out to be a famous choreographer named Fatima Robinson.*

I’m really glad that Pharrell and Robinson were dancing around actually on the bridge like this, because unless someone makes a replica somewhere someday I’ll never be able to see it up close like this again.

We continue walking around on the bridge until 6:16.

At 6:16 we go somewhere new and it looks really familiar, like someplace they’ve filmed a movie, maybe? Or someplace that I’ve pictured the action of a book taking?

Wait. We’re still by the 6th Street Bridge. I couldn’t even begin to tell you where we are in relation to the bridge; it’s too dark and the area has changed too much. Maybe by 6:20 we’ll have some clue.

Our dancer passes something that looks like maybe a small apartment building. It’s well lit and might still be there, but I’ve still got nothing.

Eventually I’m able to identify a mural that the dancers pass as being under the 6th Street Bridge, so that solves that much. Then at 6:34, the dancers dance across some train tracks. Those tracks are still there in October of 2017, putting the dancers on Mission Street. The 6:32 dancers pass a building that’s still there at 6:35.

The 6:36 dancer goes up Willow Street E. This is such a relief. At Anderson Street, we make a left and go down a block or so. Then we turn around and come back down Anderson to Willow and back to Mission. Then we make a left onto something that Google says is 6th Street. I. Don’t know. And then we come out on Anderson again. We make a right and go back under the bridge and it sure looks to me like we end at Anderson and Jesse.

6:56 It’s dark. Really dark. The dancers are being followed by a car with its headlights on, presumably so that we can see them with the backlight. There’s a plant of some sort behind a fence over there on our right and a building on our left. We emerge into the light and make a right-hand turn. Still no clue where we are. It’s kind of postapocalyptic looking. Oh, look. Civilization. There’s a street and traffic signals and an illuminated sign of some sort. As the dancers move around, there’s a building with blue words on the side. We go back into the dark alley and the 6 pm hour ends with our dancers backlit like before.

*Who choreographed the video for his song “Come Get it Bae.”


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