What Next? Weird Al?

Yeah. that sounds good. Particularly since I think it’s his birthday? Or was that yesterday?

Yes. It’s today. Happy Birthday, Weird Al! :throws confetti:

This concert was the third time I’ve seen Al in concert. The first was when he opened for The Monkees in 1987 (or, as my friend Ray used to say, when The Monkees closed for Weird Al). Then there was last year’s “unplugged” tour. Then there was this year’s Strings Attached tour in which Weird Al (and his bandmates) played with a symphony orchestra.

I was trying to imagine Al on a bus with timpani and string basses and such, only it turns out that isn’t how it worked at all. The conductor traveled with him. The performers were from local orchestras.

Weird Al Yankovic, Strings Attached Tour, June 16, 2019.
Boy, I wish I could remember which song this was. At any rate, this is the only picture I got where Al wasn’t overexposed. If I can remember which song this was, I’ll update the post. Probably.

There was a little interpersonal drama surrounding the concert. I didn’t realize when I bought the tickets (in February) that the day of the concert, June 16, was Father’s Day. In fact, I didn’t realize it until about a week before the concert. Thomas was understandably upset about this, and I offered to let Thomas have Alex for the night because it was my error. I also offered to let Thomas and Alex have my tickets for the show and to buy my own ticket and sit elsewhere. In the end, though, Thomas allowed Alex and me to go to the concert together and they’d plan for a “designated” Father’s Day at some other time.

The show was held at the Majestic Theatre in downtown San Antonio, an old movie palace. I’ve never failed to be impressed by the work that went into putting the building together (and the work it must take to keep all of that ornamentation dusted!). The Majestic was the first fully air-conditioned theater in Texas and, near as I can tell, the first theater in San Antonio to be integrated. This is the South and so, of course, the theater was initially segregated. African-American patrons had a separate entrance that led to a separate balcony (from what I can tell, that balcony is used to store lighting and other equipment now and is not open to the public). They tried a test integration in 1961 and when doom didn’t follow the test, they formally integrated. The other theaters in the city followed suit soon afterwards. I have a pretty good picture of the inside of the Majestic from the B-52s concert. I’ll try to remember to post it then.

The concert was, as always, awesome. Apparently the 9-minute “Jackson Park Express” went over well enough on 2018’s tour that he performed it again on this tour. He did most of his greatest hits. He skipped the Michael Jackson songs given that some of the (now adult) kids that Jackson had at his home are now saying that he did abuse them. Al has said that maybe someday he’d perform them again, but that wasn’t going to happen on this tour.

There were costume changes and a big screen and a surprise performance of a song that couldn’t be done justice without a symphony orchestra. I seem to recall that Lisa Popeil got a bit louder applause than the other singers (though maybe that was just me).

The only problem is that occasionally the orchestra was drowned out by Al’s band, at least I couldn’t hear the orchestra from my seat on those songs.

I know I need a concluding paragraph and maybe someday I’ll write one. But it’s 11:00 pm right now and only going to be Al’s birthday for another one or three hours (depending on if you’re talking about me here in Texas or Al in California (unless Al’s at his home on Maui right now, which will give us a few more hours). So I’m going to post this and maybe start working on another post.

Leave a Reply

Your email address will not be published.