24 Hours of Happy 5:00 pm to 6:00 pm

First, for a Gratuitous Amazon Link, how about Pharrell Williams cologne? I don’t know what it smells like and for $40 I think I’ll probably try to track down a tester bottle. Pharrell Williams Girl by Pharrell Williams for Unisex 3.3 oz EDP Spray

5:00 Still in the parking lot. Looks like we’ll be here for a while.

5:08 This is Steve Carrell’s appearance in the video. We and a bunch of other people (whom I bet we’ll be seeing in the rest of the hour) are on one of the school buses. Carrell lip-syncs or possibly sings Happy to them and they all act annoyed at first and eventually get into it. When we move onto the next dancer, Carrell and the young kid sitting in the fourth seat back on our left-hand side are both gone. Is that kid Carrell’s son John?

While Carrell was dancing, the bus started moving, but it turned out that it was only going in circles around the parking lot. At 5:14, we leave the parking lot. It looks like we make a left onto College and then a right onto what was Alameda but has now become Spring. I’m pretty sure we make a right onto Sotello then another right onto what’s probably North Main.

At some point we pass a corner and the buildings that are in the video and on Google Street View aren’t at all the same, so from here on in, I’m mostly just guessing.

Oh. My. God.

I was right. We take North Main all the way back to College and then turn back into the parking lot where we started. I guess I knew where we were after all. Huh.

5:24 Our next dancer is the bus driver, which made me smile. We follow her out of the bus and right back out of the parking lot. We make a right onto College (What college is College named for? Has anyone else noticed how strange the word “college” looks if you type it often enough?). We cross Main and then make a right onto Main.

5:28 The next celebrity is Jamie Foxx who is dancing with his two daughters. Let’s see if I can figure out where we are. That looks like a light rail line behind them there. I wonder if we’re just farther up Spring Street or something. We are getting farther and farther from that light rail line and we definitely look closer to downtown now. Maybe it’s the Red Line? That goes downtown, I know.

And, of course, even if I find the place, this area looks like it’s under construction and this was filmed five years ago, so who knows whether I’d even recognize it if I could find it.

Eventually Foxx and his daughters leave the train tracks that they’re standing on and we see that part of the tracks have been paved over with asphalt. We see them walk up to a wall with a sign on it, but God only knows what the sign says. I sure don’t.

There’s an institutional-looking building in the background. A prison? A hospital?

At 5:35 or so, we spin around and we’re looking at the back of the bus parking lot. Which means that, yes, the institutional-looking building there is, in fact, a prison. It’s the Men’s Central Jail. The train tracks where we start out are evidently North Alhambra Street and the place where the tracks go under the asphalt is the corner of Alhambra and College. If you could see my face right now, I’m looking really skeptical about whether that’s actually Alhambra or if Google Street View has gone haring off in some random direction, like it did back there on Wilshire.

However, when I drop my little person onto North Alhambra on Google Maps, that is, in fact, where I end up. So I guess it is a street. Who knew?

So Foxx and his daughters walk part way up College, and the next dancer continues walking the same direction. The sign on the wall, by the way? Says “California Drop Forge.”

I thought we’d be staying by the Drop Forge for a while, but the 5:36 dancer takes us the rest of the way up College and across Main then makes a right onto Main.

5:40 We are joining Miranda Cosgrove . . . somewhere in Los Angeles. Let’s find out where.

Wait. We aren’t anywhere new. It’s just a different angle. Again. Of course, this is kind of both how and why they make so many movies in California. Change the angle a little and it looks like you’re in a whole new place. Cosgrove goes back up Main to College and makes a right. The song ends while Cosgrove is crossing Spring St.

5:44 We’re under the ghost bridge again (refer back to 8:04 am for that explanation). Let’s see if we end up on the bridge, under the bridge, or near the bridge. What bridge is “Under the Bridge” written about anyhow? Turns out Kiedis won’t say. It’s downtown, though.

I’m pretty confused about where we are, especially in relation to where we were back at the 8:00 hour, but I found the building that this guy is dancing in front of and now I’m afraid to move. I opened a new window and am looking at the shapes of the buildings that used to be there on the map and around at how things are now in Google Street View and I’m as certain as I can be (which isn’t very) that we’re on the other side of the bridge, but on the same side of the river as we were in.

What do you remember of your high school algebra? If the map were a two-dimensional graph with the northeasternmost part in Quadrant I, then in the 8:00 am hour we were in Quadrant II and now we’re in Quadrant III. I think.

We start out at Mesquite and some street that doesn’t seem to have a name. This street may also be Mesquite. I’m not entirely sure. We follow this unnamed street west. We cross Santa Fe and keep going. We pass where Imperial stops at the bridge and keep going. At Mateo Street, cross the bridge and start going back down the street that I’m certain is Mesquite.

The 5:48 dancer’s top is really cute and Alex said that he actually wouldn’t be embarrassed to be seen in public with me wearing it. Granted, it’s probably five years out of date by now, but that sort of thing’s never been a huge concern for me. I’m still wearing some of the same clothes I had back when my mom was alive and she died in 2006. Heck, I just realized that my favorite winter top is older than Alex, so it’s at least 20.

We pass the Stover Seed Company. They seem to still be in business, even if the building is now gone.

I guess we’ll never get back to Santa Fe Street because the 5:52 dancer is going back up Mesquite towards Mateo and then makes a u-turn onto the bridge.

Now, when I read the article, they said that the times given are always pretty close to the time that they filmed. The example given was a 15-minute difference. I guess that the 5:56 dancer must have been closer to 6:11, because it’s quite a bit darker than it was when the 5:52 dancer finished. I know the night falls quickly in the desert, but this is ridiculous.

We continue going up the bridge until 6:00.

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