24 Hours of Happy 9:00 pm to

I found the document! I still can reach it through the OpenOffice app that I used to write it.

Now to give Mr. Williams some money. He’s apparently gotten big in the shoe design business lately. So I’m probably going to just pretty much do all Pharrell Williams branded athletic shoes from here on out. The highest rated of these on Amazon is these, described as adidas Pw Tennis Hu Mens Trainers (sic). I have no idea what the “Hu” means, but the “Pw” is pretty clearly Pharrell Williams.

Now, on to the post:

9:00 Have we moved? We suddenly are in a strip mall with an ACE Cash Express and a Subway. There’s some kind of a cell phone store. I can see the word “Galaxy” through the window. Does Samsung have stores like Apple does?

It looks like it’s downtown. There’s a CVS back there.

Wait. There’s an H&R Block. I think we’re in the same strip mall that we were in at 8:00. We just passed a Time Warner office. Yeah, we’ve got to be in the same strip mall. Other strip malls might have the same stores, but in the same order? That’s stretching credulity, I think.

9:04 We’ve moved again, I’m pretty sure. We’re in a parking lot. Beyond that, I’ve got nothing.

9:08 We’re outside that parking lot and this area looks familiar. The dancer passes a sign that says, in part, “Labor Commission Court House.” One of the labels says “Angel’s Flight,” as well. So let’s see if we can work with that.

We’re in luck. It looks like the parking lot is at Hill and 3rd. We follow Hill to 7th, then cross Hill and keep going northwest on 7th. I really wish the streets downtown were oriented to the cardinal directions.

The 9:28 dancers look to be someone (well, two someones) who work behind the scenes of this project. They’re carrying some kind of glowy monitor screen things and at 9:28:48-ish they turn the screens towards the camera and if I’m correct, the monitors show them showing the monitors to the camera. Actually you can see one of the guys in one of the photos on Jon Beattie’s website. And evidently they filmed this part the same day that they did 5:32 because he’s wearing the same shirt. Is the guy standing next to him in that photo the other 9:28 dancer? He might be. We pick up another guy from behind the scenes at 9:29:55 or so and another at 9:31. Meanwhile, we make a left onto Hope.

Our 9:32 dancer passes the same place where our 12:56 am dancer was. We cross Hope and then make a left so that we’re going southeast on 8th Street. They then pass a mirrored building and Beattie turns the camera so that we see the reflection of everyone in the entourage and someone guides Beattie towards the glass so that we can see the man behind the camera.

We make a right onto Grand and at the door of the Fashion Institute of Design and Merchandising is a sculpture of an angel wearing a cat mask standing on a blue rectangle. The angel a sculpture called “Transforming Yourself into Fashion” and is by Gwynn Murrill and the blue rectangle leads into the lobby where there is a rotunda with “flying figures” on the ceiling. I haven’t had much luck finding pictures of the rotunda and from what I can find, Google Maps’s indoor photos of the building are limited to pictures of the museum in the building. The images of the main reception area are not the same place, from what I can tell.

We make a right onto Olympic Boulevard and another right onto Hope.

9:56 Now we must be at the high school that we see in the official video. I wonder what high school it is? I wonder if it’s Hollywood High for the, like, fifth time in this video. The image is flipped again, judging by the lettering on the signs. Also, it’s a different day than when they filmed 5:32 and 9:28 because we see someone who sure looks like one of our 9:28 dancers and he’s wearing a different shirt. Beattie goes backwards up a flight of stairs this time. Even knowing how large the crew on this is, I’m still impressed.

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